Showing posts with label Australia. Show all posts
Showing posts with label Australia. Show all posts
Wednesday, June 25, 2014
Victoria, What Are We Really Burning?
A non-profit in Australia used one of my tracks for this video about deliberate burns of the countryside to prevent wildfires.
Caution, some of these images are disturbing.
Labels:
Australia,
burn,
deliberate,
disturbing,
field,
hamilton,
koala,
naturalists,
portland,
victoria,
video,
wildfire,
wildlife
Friday, March 7, 2014
Day 443: In the outback
Another Junto project. Here are the details:
My initial feelings on production were that this was going to be a boring project, but after listening to the variations that other Junto members were able to coax out of the source material I got more excited. Getting different tones could have been very easily done, but I wanted to finesse it a little more and try to create something more nuanced. I opted for a foldback distortion that ended up sounding (to me) a bit like a didgeradoo. Once I had a point of focus the piece sort of fell together on its own. A moving filter/gate applied to one piece created an intermittent pulse, another couple of pieces ended up being pads (with subtle background additional harmonics added, just for flavor; but not another instrument - done solely with effects), a last piece was additional percussion with the slightest bit of pitch bend after applying a phaser to it. All summed it -- we're in the dreamtime.
More on this 114th Disquiet Junto project — “Combine elements of Dave Seidel’s album ~60 Hz (Irritable Hedgehog)” — at:
http://disquiet.com/2014/03/06/disquiet0114-60hz/
More on the Disquiet Junto at:
http://disquiet.com/?p=16588
Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/
The source audio is from Dave Seidel’s ~60 Hz album, released on the Irritable Hedgehog record label. More on the album at:
http://recordings.irritablehedgehog.com/album/dave-seidel-60-hz
My initial feelings on production were that this was going to be a boring project, but after listening to the variations that other Junto members were able to coax out of the source material I got more excited. Getting different tones could have been very easily done, but I wanted to finesse it a little more and try to create something more nuanced. I opted for a foldback distortion that ended up sounding (to me) a bit like a didgeradoo. Once I had a point of focus the piece sort of fell together on its own. A moving filter/gate applied to one piece created an intermittent pulse, another couple of pieces ended up being pads (with subtle background additional harmonics added, just for flavor; but not another instrument - done solely with effects), a last piece was additional percussion with the slightest bit of pitch bend after applying a phaser to it. All summed it -- we're in the dreamtime.
More on this 114th Disquiet Junto project — “Combine elements of Dave Seidel’s album ~60 Hz (Irritable Hedgehog)” — at:
http://disquiet.com/2014/03/06/disquiet0114-60hz/
More on the Disquiet Junto at:
http://disquiet.com/?p=16588
Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/
The source audio is from Dave Seidel’s ~60 Hz album, released on the Irritable Hedgehog record label. More on the album at:
http://recordings.irritablehedgehog.com/album/dave-seidel-60-hz
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